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Komal Gandhar
''Komal Gandhar'' ((ベンガル語:কোমল গান্ধার) ''Kōmal Gāndhār''), also known as ''A Soft Note on a Sharp Scale'', is a 1961 Bengali film written and directed by noted film maker Ritwik Ghatak.〔(【引用サイトリンク】url=http://movies.nytimes.com/movie/152410/E-Flat/credits )〕〔(【引用サイトリンク】title=Jinxed legacy )〕 The title refers to the Hindustani equivalent of "E-flat". It was part of the trilogy, ''Meghe Dhaka Tara'' (1960), Komal Gandhar, and ''Subarnarekha'' (1962), all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it, though this was the most optimistic film of his oeuvre. The film explores three themes juxtaposed in the narrative, the dilemma of Anusuya, the lead character, divided leadership of IPTA and the fallout of the partition of India.
==Overview==
The title was taken from the line of a poem〔Book: Punascha, poem: Komal–Gandhar; (ベンガル語:নাম রেখেছি কোমল গান্ধার, মনে মনে।)〕 by Rabindranath Tagore that meant a ''sur'' or note, E-flat. As in other films by Ghatak, music plays a pivotal role in the movie.
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle. Unlike his other films, this one runs along an upbeat mood with the lead pair of lovers (Vrigu and Anusua) being reunited.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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